water

Student Images: Maine Media Photographing Water Workshop

What better way to spend a week in summer than exploring the Maine Coast, photographing water? We had a group that did just that in July. In addition to photographing the ocean, rivers and water gardens, they got their feet wet photographing fog and rain as well! Still water, moving water, reflections and recreational activities were all part of this class. Here are a few of the watery images captured by students:

Credit: Students of Photographing Water, a week-long workshop offered by Maine Media Workshops and taught by Lee Anne White, July 2018.

A Rare Daylight Shoot at the Beach

When I go to the beach, the camera usually comes out of the bag after sunset when all the beachgoers have gone home for the day. That's because I like to slow the movement of the waves and catch the colorful reflection of the evening sky in the water. But not last week.

The fog changed things: The light, the color, the depth of field. With the fog, you can't see very far, and this allowed me to isolate individual waves without showing any background except as a color wash. The colors may not be as exciting, but it still makes for a moody photograph, don't you think?

Morning on the Amelia River

At summer camp, we had a song that everyone always sang horribly off key: "Morning is the Nicest Time of Day." Maybe we sang it that way intentionally, not being very fond of morning. I don't know. Even though I'm no fonder of mornings now than when I was 10, I have discovered that it's one of the best times for landscape photography. The light is softer, there are fewer distractions, the wind tends to be calmer, and your chance of encountering fog is higher. Fog is actually my favorite weather in which to shoot, though doing so can be kind of tricky. Just be sure to open up one to two stops (bracketing your exposures) in order to capture the fog. This shot was taken on a quiet, foggy morning on the Amelia River in northern Florida.

Photo ©Lee Anne White.

Photo ©Lee Anne White.

Reflecting on Water

I'm fine-tuning a talk on "Integrating Water in the Garden" for next week's Southern Gardening Symposium at Callaway Gardens. In particular, I'm working on my introductory and closing remarks, trying to set the mood for the presentation. So I'm sitting here at my desk listening to meditative music with the sounds of water: waves gently rolling ashore, gurgling brooks, rain on a tin roof. I'm thinking of my earliest experiences with water: feeding the goldfish in my grandmother's pond, paddling a canoe down the Chestatee River, watching the sun set over Lake Lanier, diving into crashing waves at the beach, listening to the rain fall on the cabin roof at summer camp.

A few years ago, I had the pleasure of writing and photographing the Water Garden Idea Book, which was published by Taunton Books. The best part of that project was discovering the ingenious ways designers and gardeners had worked water into their landscapes. Some were as simple as a small, water filled basin tucked into a border. Others dazzled the eye and mind--water stairs, sculptural wall fountains and more. Here are a few that I especially enjoyed.

Design: The Fockele Garden Company. Photo ©2009 Lee Anne White

Design: (left) Clemens & Associates, (right) Steve Martino & Associates. Photo ©2009 Lee Anne White.

Design: Rich Ferraro. Construction: Red Rock Pools & Spas. Homeowner: Dan & Paulette Campbell. Photo ©2009. Lee Anne White.

Design: Robin & Paul Cowley. Photo ©2009 Lee Anne White.

Design: (left) JC Enterprises Inc., (right) Clemens & Associates. Photos ©2009 Lee Anne White.

Design: Jack Chandler. Photo ©2009 Lee Anne White.

Design: Clemens & Associates. Photo ©2009 Lee Anne White.

Design: The Fockele Garden Company. And yes, the one of the left is manmade. Photos ©2009 Lee Anne White.

Design: Ben Page, Jr.  Photo ©2009 Lee Anne White.

Design: (left) Red Rock Pools & Spas, (right) Scott Melcher.

Design: Stone Forest, Inc.  Photo ©2009 Lee Anne White.

Design: Robin & Paul Cowley. Photo ©2009 Lee Anne White.